1 lp, picture sleeve, printed inner sleeve

wolfgang schlögl aka i-wolf (piano) and eduardo raon (harp) play at casino baumgarten in vienna.

incl. medlars timbale dub

with pic sleeve

7 inch with picture sleeve

just a killer!

great deep house ep

dj support: glenn underground, francois k, osunlade, dj deep, patrice scott, danny tennaglia, dj gilb r, jimpster, honey dijon, dam swindle, cinthie

new york based band miss velvet & the blue wolf team up with george clinton of parliament funkadelic fame for their 2nd album “feed the wolf”.

incl. collaboration with hulk hodn

dj support: axel boman, jimpster, harri (sub club)

ein musik-märchen von sergej prokofjew, gelesen von matthias ernst holzmann. die vinyl-lp erscheint inklusive deutscher und englischer version auf cd.

a musical fairy tale by sergei prokofjev, read by leonard bernstein. the vinyl lp includes the english and german version on cd.

soulful house bomb

death before surrender. more anger techno from eternal damnation with remixes from uvb and ténèbre.

the long awaited debut album from jai wolf on white vinyl.

theres no better man to mark the fiftieth release on wolf music than south london stalwart and og wolf family, medlar. marrying techy touches and ukg stylings, with sonar bumps and medlars signature, sample-heavy groove, its a fitting way to bring in the half century.

previously unreleased gem from the frits vaults. with a photo postcard and sticker insert.

aka jan schulte

incl. moomin remix !! if 2018s wolfep046 touched on the burgeoning talent of rising portuguese star pedro, this 2019 follow-up delves deep into the accomplished head that rests on those youthful shoulders.

tripping downtempo soundtrack

fatastic deep house by gene tellem

produced by detroit underground-legend warren defever aka alive/4ad

if there s one thing wolf music know a thing or two about, it s house music. so its no surprise then that they ve decided to reissue a golden 2003 deep house nugget in the form of brs (british rhythm services) spring dom. reissued from the original dat tapes spring dom is one of those timeless records that even 15 years on sounds as soulful as it did when it first hit the racks. echoed sweeping stabs, chunky drum loops and powerful synth flurries alongside those mesmerising vocal refrains, all tied together with a driving bassline - this is deep, deep goodness of the highest degree. reworking spring dom for the present day, wolf mainstay medlar provides a rave tinged remix, chopping the vocals and reworking the synth lines to give it a peak time, dancefloor demeanour. the flip houses the other two tracks from the original 03 release - clubtronic with it s ukg flavoured beat, m1 pads and jazzy free flowing melodies and miss you combining a bumping groove, dynamic bass melody and stirring rhodes chords. a much-welcomed reissue package from the wolf camp and a chance to own this house treasure without feeding the sharks.

the third and final instalment in frits two bar house music & chord stuff sees him continue to showcase his distinct style of lo-fi, wonky house - both quirky & unconventional, yet instantly endearing in the same breath. served up first in frits melting pot, theme 09 kicks things off with a shuffling, ukg esque rhythm and rnb flexed vocal snippets, alongside floaty arps and that chord stuff that swells and stabs in the mix. throw in a weighty bass and frits trademark analogue wonkiness and you ve got a prime example of a wentink wobbler. next up, theme 10 hits you with an organ melody reminiscent of a warped crystal waters, before twisting and turning into an edgy off-kilter house track. a glitchy synth line, bouncing bass and dreamy pads will hook you till the end. flip it and theme 11 offers up a chuggier affair where glistening arps are interspersed with squelchy and sustained synths. elements and effects are combined throughout, mesmerising you with a glimpse into the wonky world of the frits. closing it out wentink leaves you with a quirky club stomper, coupling a gritty bassline, saturated loops and off kilter, lo-fi stabs all tied together with a driving kick. across this 3-part series frits has left the fancy titles at the door, letting the music do the talking and demonstrating his penchant for making interesting, engaging and distinctive house music, not your average two bar house music and chord stuff.

its a captivating encounter when a producer of relative anonymity bursts onto the scene with an exciting and engaging release, that you re drawn back to again and again, wondering how you ve never heard of them before. porto producer pedro, & washington dc vocalist jenna camille have achieved exactly that with this first release on the mighty wolf music recordings. the influences from jazz though to soul, rnb & broken beat are weaved deep within this record. you re drawn in from the off with an intro of stripped back pianos behind an emotional spoken word monologue from jenna, before it opens up into a beatsy, rnb infused groove. having pulled you in float hits you with a richness of synth textures, layers of broken beats and dreamy chords alongside jennas float mantra hypnotising you deeper and deeper. reaching the last section of the track though you re woken from that hypnotic groove with a switch to a raw and energetic breakbeat sure to get any crowd moving. keep it h 2000 , the final track on the a side, has a real flavour of fatima to it emanating from jenna s blissful vocals - laid over the top of sustained rhodes, weighty synth lines and dynamic drums. flip it over and there s a tougher intensity to future dance (it ll be ok) , coupling rhythmic stabs with jazzy chord progressions, laced behind a groove that wouldn t be out of place lighting up the floor at a co-op night. to close out the e.p. you re given a sensory overload through jenna s staggered, overlaid vocals panned to come at you from every angle its the perfect outro to both stun you and leave you wanting more. and if this extremely well-polished, first key release is a sign of things to come, pedros name will be becoming a lot more familiar in years to come. support from afronaught (bugz in the attic), bradley zero, henry wu, lefto, atjazz & osunlade

erste reissue des 2001er albums -dread- des detroiter post-industrial/noise-trios wolf eyes (hanson records, american tapes, bulb records). ein freak-klassiker aus verzerrter elektronik, brodelndem dub und dystopischem proto-punk á la cabaret voltaire und suicide mit ausgeprägter us-midwest-sensibilität. 4 tracks zwischen 4-14 minuten, plus dem 21(!)-minütigen bonustrack -sandpapered eyes- als hidden track (cd) bzw. mp3-bonustrack (lp). lp mit download-code und doppelseitigem a2-faltposter.

one of dortmund s finest exports, mr. fries, returns to wolf music bringing his signature sample heavy house touch back to the label. six tracks of mpc saturated cuts take the stage for wolfep045 with the hazy rhodes, rhythmic stabs and sax flutters of nocturnal opening up the e.p. sun takes things on a percussive workout before work leads you down a road of dusty detroit loops, akin to the productions of the motor city greats. on the flip you get a smokey jazz, sun-drenched roller in getright , moving into junkfoodnmusic which encapsulates that comatosed feeling its titled after down to a t - dropping the pace down into a laid back jam. closing out the ep thesimplethings driving bassline, fizzing percussion & sensual samples offer up a late night groover to round off another stellar outing from mr. fries.

yesterdays tomorrows is moomins 3rd album and the first of his to be released on wolf music recordings. the album see s moomin showcasing the natural, organic sound he is known for, applying his production technique to house, as well as venturing into beatdown territory with 90s new york hip hop, and his uniquely moomin take on liquid drum & bass.

wolf welcome another new member to the pack, this time in the form of producer lb aka labat. the young frenchman has already caused a stir in the two years since his first release, clocking up appearances on faces, robsoul & d.ko records. for his debut on wolf he delivers four tracks in his trademark style of dusty jazz and hip-hop sample infused house music. this one’s for the heads!

growing bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of per-cussion obsessives for a supernatural mission into the heart of the rhythm. dressed in the pitch black of du&#776,,sseldorf stands wolf mu&#776,,ller, master of the tropical drums and seven time salon des amateur breakdance champion. repping cologne and berlin is niklas wandt, germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demen- ted euro dance. standing toe to toe in a no holds barred, no drum unstruck groove contest, these two titans will make you swing your pants like a crash bandicoot victory dance... so stretch out and step in to ‚instrumentalmusik von der mitte der world

frits wentink returns with the second volume of his two bar house music & chord stuff on wolf music. drawing inspiration from the legendary sounds of kerri chandler and mood ii swing, the release contains four themes perfect for the nightclub, bar mitzvah, funeral or cruising in your 1989 vw polo on your way to see your gal (or guy).

wolf müller & versatile label head gilbr give the remix treatment to zombie zombies hippocampe - the first track from their recent livity lp. a long time fan of the band, jan schulte (under his wolf müller alias), delivers 2 interpretations of the track, combining heavy krautrock influences a la can with a distinctive b-boy twist. gilr takes hippocampe in a more minimalistic direction, with heavy drums laying the basis for a dubbed out journey.

manchesters garth be has long been associated with wolf. long time fans may be familiar with all the thrills released back in 2009 on wolfep003, a track that is still played by the likes of move d today. the past seven years have seen garth perfecting his craft and launching his sweet sticky label. the seven movements was his debut full-length in 2014 on the label. that same year, it was rightfully placed in the top 5 of both phonica records and piccadilly records end of year lists, with very accurate comparisons to the likes of floating points, theo parrish, kyle hall and moodymann. here garth presents his first full ep for wolf with six jams for the mind, body and soul.

medlar returns to wolf with a killer ep.

ch seinem hochgelobten album -undertow-, auf ihrem eigenen imprint lower floor music, veröffentlicht das detroiter post-industrial/noise-trio wolf eyes nun eine limitierte 12inch mit zwei neuen instrumentaltracks. diese sind in ihrer art epischer, dubbiger und reduzierter als die albumtracks, getragen von einer signifikanten elektronischen unterströmung unter der tropischen ambience, die auch die jüngsten liveshows von wolf eyes - im gegensatz zu der dichten intensität des letzten albums - kennzeichnen.

an old hero at int hq, andy meecham(bizarre inc, big 200, chicken lips etc.) released his debut for internasjonal recently. no we with vol.2 of a 2 part series entitled 2500?. all synth noodles and doodles written, performed and produced by andy meecham and one rework by wolf m³ller prins thoma

mr. fries returns to wolf with some more mpc goodness. lb aka labat rounds of the ep with a remix deeper than deep.

nice price deal !!! excellent floorburnin electro techhouse action

first in a three part series by frits wentink, presented in a hand stamped picture sleeve.

in conjunction with the label turning 8, wolf music return to the va format that see’s them releasing forgotten gems and exclusive tracks from label mates. brs’ bouncing was originally released in 2000 on imperial dub a firm favourite with wolf music for many years, it now has the opportunity to be introduced to a new generation of record buyers. paradiso rhythm self released greetings & salutations digitally early last year. a killer record in every way that deserves a vinyl release. on the flip ishmael & medlar supply a collab track recorded last year at the red bull studios. rounding off the ep is an updated version of krl’s i wanna be with you that was originally released on wolfep003.

real d. burst on the scene last summer with his breakthrough track rhodes that . one year on and the release is still in high demand, fetching upwards of £50 on the cogs. matt & stu were invited to play at his party in his hometown of bordeaux late last year and the idea of an ep for wolf was discussed over the best red wine and cheese the southwest of france had to offer. in a strange but true story a 3d glasses company in silicon valley called real d came knocking and with the threat of legal action, his name had to be changed & real j. was born. another great addition to the ever-growing wolf music roster.

nice price deal !!! kick ass 4 track hardcore massacre!!

nach unzähligen releases auf labels wie sub pop, troubleman unlimited oder jack whites third man und zahlreichen kollabos mit acts wie sonic youth, anthony braxton, andrew w.k., hieroglyphic being oder morton subotnick, veröffentlicht das detroiter post-industrial/noise-trio wolf eyes sein neues album undertow auf dem eigenen imprint namens lower floor music. auf den fünf neuen, teils überlangen tracks graben sie weiter in den untiefen ihrer ureigenen, durch electronica und free jazz infizierten noise-welt. die lp erscheint mit download-code und doppelseitig bedrucktem a2 poster.

12 inch hand stamped label
following on from casino times debut album familiar circles, wolf music enlist al zanders & moomin to remix their favourite cuts from the album. al zanders delivers a classy deep house version of carlotta while moomin throws a curveball with a drum n bass remix reminiscent of a classic ltj bukem track from the mid 90 s.

after blessing wolf with a fantastic remix of mr. fries on wolfep033, hodini steps up for a full ep on the label. having started out producing hip hop alongside retrogott, the mpc addict has been turning his hand to more uptempo grooves in the past few years having released music on max graef & glenn astro s money $ex records & damiano von erckert s ava. the hip hop influences can be heard throughout the ep with the two a side cuts primed for the dance with their heavy soul and jazz sampled grooves. the flip features the hip hop beat, represent right here & the ep rounds off with the mid tempo collab with hade, parashutes.

“shark wolf rabbit snake” is the 2012 album from veteran producer and sound designer eliot lipp, originally released on pretty lights music. this seminal project in lipp’s catalog effortlessly moves between hip-hop, drum & bass, funk, techno and jazz. the 12” lp is reissued for a limited time by detroit label young heavy souls and comes with download code included.

2016 repress ... *in love again* first surfaced as part of red rackems *all i ever wanted ep* in 2010 becoming an underground smash. soulful vocal samples, and beautiful detroit strings work uniquly in the wolf style that we come to expect. the new remix is uptempo, with skippy drums, and a deep warm feel. this tweaked mix is made for underground dancefloors. the b side features a brand new track entitled *latin techno*, which combines filtered chopped up loops layered over huge beats. another successful release for red rackem and a fine return to form for wolf music.

wolf music is delighted to announce an exciting new addition to its label roster, neue grafik. with previous releases on esteemed labels such as beat x changers, slime recordings and s3a records, french producer and dj, fred bwelle aka neue grafik, has quickly risen as one of the most promising acts to come out of the new french electronic scene.